Deal. 2.

This is part 2 of an ongoing blog style story that I write when I feel inspired to.

Read Part 1 Here.

ET sits quietly, staring at the blue piece of machinery on the table in front of him. Bruce is still standing, looking longingly at the red haired human. He opens his beak to say something, then thinks again and closes it. This happens several times.

The red cephalopod on the floor begins to stir. He sits up and feels his forehead with the back of a tentacle. He stares blankly into space.

“Get him,” says Electric Type as he motions Bruce in the direction of the confused creature. “Sit him up here.” Bruce shuffles over, lifts him up off the floor, and drags him over to the chair. He doesn’t struggle. His pure white eyes turn longingly to the box on the table.

“First of all, you are both idiots,” states ET. Both cephalopods stare back at him, clearly irritated, but more confused. ET reaches into his pocket and pulls out a small black tube, which he places between his lips like a cigarette. It’s an inhaler, which provides him with medicine, making it easier to breathe on alien planets. He turns the end of it to release the chemicals inside and breathes in.

“Bruce, I don’t know how you got this slab of junk, but you’re lucky you even made it here alive. And you, who are you?” he turns his attention to the shaking man in front of him.

“My name is Glibze,” he says, slowing to think of his own name. He stutters, “I’m not dead?”

“I don’t believe in violence. I don’t have the stomach for it. This thing is just a stun gun.” He twirls the pistol around on the table. The blocky font on the side  of the handle reads “Knuckle Duster.” ET pauses for a moment, breathing in again. “Do you know what this is?” he asks barely looking back at the synthesizer. Glibze looks straight at it, as if drawn by an unseen power. “Okay, you have no idea. Right now we are in big trouble. There’s got to be 100 assassins following your trail here,” ET looks at Bruce, who hangs his head. “This is the single most powerful artifact in the Universe. The last remaining piece of the Screx Empire. No one has played it and survived in the last 1000 years, except for one person. And he’s the only person that’s going to be able to save us from the hoard of assholes that want this thing.”

Bruce and Glibze remain silent, clearly thinking about what they just heard. ET plays with his gun, spinning it on the table with his finger. Bruce starts to say something then stops, nervous to ask. Glibze asks for him, “Who?”

ET looks at them in disbelief. “You idiots. It’s me.”

Music Will End The World As We Know It

I can feel my nerves being pushed to their limits as I stand backstage. My hands are shaking slightly. I take a deep breath, doing my best to remain calm. The pounding on my dressing room door hasn’t stopped since I got here. The hordes of clawed crab fan girls are yelling and trying to get in. A skinny crab in an official looking hat informs me that the door would hold, and that there is nothing to worry about. I thank him, out of habit, and he scuttles off musing over his clipboard. I secretly wished they’d let some of the girls in.

My thoughts drift away from the fan girls and to the people who didn’t want me here. They’re the radical Purist Shells that believe music is an evil force. They think that because their planet hasn’t had music for a 1000 years, it should never have music. I had to fly in at night, in an unmarked craft, and wearing a disguise. All of this so they wouldn’t try to “take me out”, as one body guard put it. A flyer caught my eye and I picked it up off the ground. It read in bold letters, “Music Will End The World As We Know It.” I let let it fall from my hand, back onto the ground.

“How can a planet be so against music,” I think to myself as I try to mentally prepare for the show I’m about to play. I think about the Crab King Ugwa, who had traveled with his royal court to plead with me to bring music to his planet. I remember laughing and making a stupid comment about how they could have emailed me. He explained about the Purists, but the danger hadn’t sunk in until now. He continued on, stating how their people lacked creativity and passion. He wanted these powers for his people and he knew that music was the way to give it to them.

The Crab people had constructed this massive colosseum specifically for this show. I’m sure there will be more events after, but I am the first. If I survive. If the angry Purists don’t try to “take me out”. I walked over to my case of records, all freshly pressed for this show. I usually spin CDs, but an entire planet, that calls for something special. I look at the stack, full of bright colored sleeves, each marked in bold letters with a track title. Aerogance, Supernova, Mischief, Time Zone, Neon Tetra, Foo, Stratosphere…

A new track catches my attention. It’s one that I just wrote a week ago. The sleeve is a deep red and the name across the top reads “000000001″. It was the only thing I could think of at the time. A name to hold the place, until I could decide on a real name, hopefully, with more meaning.

Then the thought crossed my mind, “A brand new song for a brand new world.” It’s a song that has never been heard by anyone but me. I pulled the sleek black vinyl out and looked at the tiny grooves. I knew I had to do this. And then it was time. I turned and walked towards the stage, with the one record in my hand.

The lights blinded me and I put my hand up to block them from my eyes. The crowd cheered loudly. Maybe they thought I was waving. There were Crabs stretching as far as I could see. I stepped up to the turntables. I removed the record from its sleeve, tossing the red paper out into the crowd.

“This is for you,” I said. A silence fell over the world. Every person, an entire planet, waiting on me. I set the record down on the deck and drop the needle. The gritty bassline fills the stadium. The first sounds of techno that these people would ever hear. Sixteen seconds of bass go by and then the first kick drum hits. I could see in their eyes, they wanted to move. They were unsure why, but they couldn’t fight it. It only took a moment and every claw was in the air as they jumped in unison to the beat.

I knew from this moment, their lives would never be the same. It was actually the end of the world as they knew it. This wasn’t the doom that the flyer had mentioned. This was a new beginning. A renaissance for this planet.

This wasn’t an apocalypse. This was Clawmaggedon.

 

In the End, there Will be Techno…

“Sometimes sounds can change the course of entire worlds.” – Krilliam Barnaclestein, Crab Nebula Scholar

The newest musical release from Electric Type will be titled “Clawmaggedon”. It will include the title track as well as the B side, “Knuckle Duster”. Below is the album cover, created by Ryan Klassen.

The tracks were mixed and mastered at SPM Soundtracks in Essex, UK. You can hear the sample clips on their SoundCloud page.

“Clawmaggedon” will be released soon on all of the major sites, like iTunes, Amazon, and Spotify. However, if you promise to play it really loud for your friends, then you can grab it for free, right here on OfficialElectricType.com on Feburary 12, 2013.

“Those new tunes pack a lot of voltage!” - Christophe Moore

 

Deal.

This is part 1 of an ongoing blog style story that I write when I feel inspired to.

Read Part 2 Here.

A cloaked figure approaches a dingy cellar. It slowly descends the stairs towards the entrance of the dark and depressing attempt at a night club. A tentacle hangs out from under his cloak and drags on the ground, passing through a sea of old cigarette butts. He shuffles uneasily, trying to adjust the weight of the heavy object he conceals beneath his cloak. He reaches for the door.

Inside, a blood red cephalopod stands on stage. His tentacles lazily glide over a strange instrument, one that sounds a bit like a saxophone. Two others behind him create a lazy accompaniment on drums and an upright bass. It rumbles slowly, in a hypnotic warbling, as the bassist’s tentacles rub the single string. They play to a sparse audience. It’s the fifty second hour of the day’s second sun and all the decent folk have long retired to their beds. Two drunks sit at the bar, babbling back and forth to each other. They aren’t listening to each other and barely say anything at all. The bartender moves back and forth, looking for things to clean.

In the shadowy back corner, Electric Type sits quietly, listening to the music. As he takes a sip of his drink, his blue tie reflects some light from the paltry beams on stage.  Not bad, he thinks to himself, These guys really have something. I wonder if they play out much.  The club’s only door swings open with a bang, interrupting his thoughts. Despite the surprise, no one seems interested.

The cloaked figure scans the room and shuffles towards the back corner. He drags himself slowly, still carrying the heavy load. The band finishes their song. “One and two and a three…” says the horn player as they move into their next piece. The figure opens his coat, revealing weathered, brown skin and sunken eyes. Two of his tentacles lift a large blue box and he gently places it on the table.

“Bruce, you asshole. How did you find me?” Electric Type inspects the box. He looks it over and inspects some markings on the sides. Setting his drink down, he turns the box on the table. He places his hands on either side and removes the lid uncovering an array of knobs, switches, and unlit LEDs. The music stops.

“The synth of gods, they say,” mutters ET. “You know I can’t turn down something like that. Even if it is a replica.” He picks up his glass and takes another drink. The man across from him watches carefully. “If I play this here, every monster on the planet will be drawn in by its power.” He leans back in his chair, balancing it on two legs. He reaches to his neck and straightens his tie. “If I don’t play it, I’ll never know if you’re just ripping me off with a fake,” rationalizes Electric Type as his right hand lowers from his tie to his waistline.

“I swear, I would never do such a thing.” The man says in a garbled accent, his beak shaking in fear. ET raises his gun. The cold metal glistens in the dim lights offered by the empty stage. The bartender looks up from her chores and shrieks. A glass shatters on the floor. The horn player lunges towards the blue box. Electric Type pulls the trigger. The tentacle musician falls to the floor. The drummer and bassist look at each other and back away.

ET smirks as he puts his gun away. “I’ll take it.”

It’s Time to REMIX Some Shizz!

I know there’s been a few people who have been patiently waiting for some extra sexy remix packs for the songs off of “ET” and that time has finally come!

Check out the remix page!

I can’t wait to hear what people do with my tunes. If you create a remix and want me to hear it and share it with my fans, send me a message at electrictyperules@gmail.com or tweet a link to @electrictype. If you want to post your remix somewhere, just be sure to let everyone know it’s an Electric Type track and send them to OfficialElectricType.com.

Happy Remixing!

Electronically Yours,
Electric Type

 

Sachem Orenda’s “iObject” Single Released!

On September 18th, Sachem Orenda unleashed his newest single, “iObject” off of he recent LP, “Apology for Popular Music and the Nihilistic Demiurge”

iObject” is caught somewhere between make believe and reality…

You may also be interested to know that I have turned out a dirty, mashed up remix for this whole sexy affair. It features stretched out basslines, mix and matched melodies, and destroyed vocal clips from the original. It’s a dark and passionate track for a slightly refined and forward thinking dance floor.

You can grab the “iObject” single at www.SachemOrenda.com
Just click on the Store and look for “iObject

You won’t be disappointed, unless of course you hate good music.